Remember the '90s? For some reason, I've been stuck there a lot
lately. One reason is a game called "SongPop." Since I'm still pretty
new to the game, I don't have a lot of playlists to pick from, so the
"90s Alternative" playlist comes up very often.
In the
nineties, if you wanted to sound like a Cool Kid when someone asked you
what kind of music you liked, you'd affect a pose of slouchy
not-caring-ness and shrug and say 'I like Alternative,' and everybody
knew what you meant. Except before I even graduated from high school,
"Alternative" was more like "Allthereistoturnthedialto."
Even
at the time, it was hard to really put a finger on "Alternative,"
because everybody called themselves "Alternative." Everybody was
rebelling against some machine, but few of us knew what it was we were
rebelling against.
I never gave it much thought back
then. I just liked the music. I'd grown up listening to the Beach Boys
and Elvis and the Beatles, all great, great music, but something about
listening to "Alternative" music made squeaky-clean, goody-two-shoes me
feel a little badass. But this game, which puts U2 and Joan Osborne and
Nirvana and Duran Duran on the same playlist for us to guess the songs,
got me wondering just how something so ubiquitous, and in a lot of
cases commercial, could have ever been called "Alternative."
I
didn't have it then, but now, I have the power of the Internet, so I
checked around. 'Alternative' music, as it turns out, began as a term
for music that started out with independent labels, which a surprising
number of acts did. And it became a catch-all to mean anything from
independent rock to college rock to postmodern to post-punk. It's one
of those terms that's a big, overstuffed, jumbled-up duffelbag that
means everything and nothing.
Alternative to what?
You
get older, and get more confident in your own tastes, and care less
about being a Cool Kid. It's not enough explanation to drawl
"Alternative" when someone asks you what music you like, especially if
you're stuck in a car with someone and you don't have the sand to put on
your earbuds and listen to your own iPod. Say you tell them you like
"Alternative," thinking music in the vein of Nirvana, and Smashing
Pumpkins, and U2, and what you get instead is four hours of "Where Have
All The Cowboys Gone?" That right there would make me think about
throwing myself from a vehicle moving at highway speeds, before even the
first "Yippie-yi, Yippie-yay!" Especially now, since we're kind of out
of the "Alternative" movement, and can look back and see borders
between the different kinds of music that huddled under the
"Alternative" festival tent in the '90s.
And since
we've passed the decade point of the passing of the 1990s, it's even
okay to admit that you didn't really care much for the Alternative Music
of the 1990s at all. Nobody's going to trip you in the lunchroom over
it. And if they do, they're the ones with issues, not you. I don't
fall into the camp that didn't like any of the music back then. I have
very strong likes and dislikes, and even some music from then I'm tepid
about. But I do have to say, I couldn't stand it when everybody wore
flannel shirts for every occasion. And 90s hair frustrated me to no
end, with all its half-hearted, sulky, dirty lifeless flatness. I'm a
big-hair, lots of makeup girl. I'm really more glam-rock than grunge,
so in that respect, and also with Ace of Base factored in, and the whole
junior high thing, the 90s were a little bit of a personal Hell for me
in some ways.
So no matter how old you are, like the
music you like, and I'll like the music I like. If the Nineties taught
us anything, it's that if you don't like what's on this station, you
have Alternatives.
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